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Pozdravljeni v oddaji Second hand.
Danes pod drobnogled vzamemo svežo produkcijo Pete Tong-a ‘Love Can’t Turn Around’.
Pete Tong je DJ, radijski voditelj in globalna dance legenda, ki se je za nastanek pesmi v ozadju povezal še s kopico ostalih težko-kategornikov dance scene, Riton, v Londonu bivajočo vokalistko Vula ter dolgoročnim sodelavcem Jules Buckley-em.
Skupaj so ustvarili nalezljiv in za plesišča pripravljen hit s zasvajajočimi klavirskimi melodijami, funk ritmi in Vula-inimi močnimi vokali.
‘Love Can’t Turn Around’ je drugi singl s Pete Tong-ovega svežega EP-ja, Pete Tong + Friends: Ibiza Classics.
Sam je o projektu povedal: “Pete Tong + Friends popelje Ibiza Classics zgodbo na novo raven. Bilo je izjemno inspirajoče sodelovati z nekaterimi mojimi najljubšimi glasbeniki, DJ-ji in producenti na osmih novih predelavah legendarnih pesmi in novi pesmi s Kölsch & Elderbrook. Komaj čakam da pričnemo še z živim igranjem.”
Kot je možno zaslediti iz povedanega, gre pri pesmi za priredbo oziroma predelavo pomembne elektronske produkcije ‘Love Can’t Turn Around’ od Farley Jackmaster Funk iz leta 1986.
Farley "Jackmaster" Funk je ameriški glasbenik, DJ in producent iz Chicago house in acid house scene. Znan je po pisanju in produkciji množice zelo vplivnih produktov elektronske glasbe 80-tih.
Leta 1982 je njegov sostanovalec Steve "Silk" Hurley, ki je bil prav tako pomemben house pionir, izdal priredbo pesmi "I Can't Turn Around" od Isaac Hayes-a, ki je postala v Čikagu zelo popularna. Ko jo je Farley slišal, se je lotil še lastne verzije. Ohranil je večino Hurley-jevega instrumentalnega dela, spremenil refren iz "I Can't Turn Around" v "Love Can't Turn Around" ter zamenjal ostanek Hayes-evega besedila.
"Love Can't Turn Around" je na UK Singles Chart leta 1986 dosegla deseto mesto in drži v zgodovini glasbe posebno mesto, saj je prva pesem tega žanra, ki ji je to uspelo in je pomagala popularizaciji house glasbe po celem svetu.
Kot zanimivost, njegova acid house pesem "The Acid Life" je bila uspešno prirejena s strani Technotronic kot "Pump Up the Jam", a za to Farley ni dobil avtorskih nagrad ali priznanja. Razen izdaje lastnih pesmi je bil zelo aktiven kot remikser in producent za ostale glasbenike, prav tako je bil aktiven DJ v Čikagu in še danes nastopa po raznih prizoriščih.
386 epizod
Second hand looks at the trend of recycling existing music in the form of samples, remixes and covers - although sometimes these modifications are actually flagrant violations of copyright laws... Some artists use without acknowledging where they got it, so we decided to take a closer look. The result: a huge number of hits are credited to the wrong musician, while the people who really wrote it remain ignored. Listen to the original and the adaptation and familiarize yourself with what's going on in the music industry - you'll be surprised by how many of your idols have built their reputation on the shoulders of others.
Pozdravljeni v oddaji Second hand.
Danes pod drobnogled vzamemo svežo produkcijo Pete Tong-a ‘Love Can’t Turn Around’.
Pete Tong je DJ, radijski voditelj in globalna dance legenda, ki se je za nastanek pesmi v ozadju povezal še s kopico ostalih težko-kategornikov dance scene, Riton, v Londonu bivajočo vokalistko Vula ter dolgoročnim sodelavcem Jules Buckley-em.
Skupaj so ustvarili nalezljiv in za plesišča pripravljen hit s zasvajajočimi klavirskimi melodijami, funk ritmi in Vula-inimi močnimi vokali.
‘Love Can’t Turn Around’ je drugi singl s Pete Tong-ovega svežega EP-ja, Pete Tong + Friends: Ibiza Classics.
Sam je o projektu povedal: “Pete Tong + Friends popelje Ibiza Classics zgodbo na novo raven. Bilo je izjemno inspirajoče sodelovati z nekaterimi mojimi najljubšimi glasbeniki, DJ-ji in producenti na osmih novih predelavah legendarnih pesmi in novi pesmi s Kölsch & Elderbrook. Komaj čakam da pričnemo še z živim igranjem.”
Kot je možno zaslediti iz povedanega, gre pri pesmi za priredbo oziroma predelavo pomembne elektronske produkcije ‘Love Can’t Turn Around’ od Farley Jackmaster Funk iz leta 1986.
Farley "Jackmaster" Funk je ameriški glasbenik, DJ in producent iz Chicago house in acid house scene. Znan je po pisanju in produkciji množice zelo vplivnih produktov elektronske glasbe 80-tih.
Leta 1982 je njegov sostanovalec Steve "Silk" Hurley, ki je bil prav tako pomemben house pionir, izdal priredbo pesmi "I Can't Turn Around" od Isaac Hayes-a, ki je postala v Čikagu zelo popularna. Ko jo je Farley slišal, se je lotil še lastne verzije. Ohranil je večino Hurley-jevega instrumentalnega dela, spremenil refren iz "I Can't Turn Around" v "Love Can't Turn Around" ter zamenjal ostanek Hayes-evega besedila.
"Love Can't Turn Around" je na UK Singles Chart leta 1986 dosegla deseto mesto in drži v zgodovini glasbe posebno mesto, saj je prva pesem tega žanra, ki ji je to uspelo in je pomagala popularizaciji house glasbe po celem svetu.
Kot zanimivost, njegova acid house pesem "The Acid Life" je bila uspešno prirejena s strani Technotronic kot "Pump Up the Jam", a za to Farley ni dobil avtorskih nagrad ali priznanja. Razen izdaje lastnih pesmi je bil zelo aktiven kot remikser in producent za ostale glasbenike, prav tako je bil aktiven DJ v Čikagu in še danes nastopa po raznih prizoriščih.
Pozdravljeni v oddaji Second hand. Potem ko smo se konec leta 2015 sprehodili po lestvici najbolj semplanih artistov vseh časov, se letos znova posvetimo aktualnim stvaritvam in njihovim prikritim izvorom. Prav v tem času se po lestvicah po vsem svetu vzpenja singl The girl is mine, ki so ga izdali 99 Souls v sodelovanju z Destiny's Child in Brandy. The girl is mine je očitno priredba in zagotovo ste v njej prepoznali več glasbenih elementov, čeprav morda ne veste točno kam bi jih postavili. Gre dejansko za 'mash-up' dveh pesmi: pesmi The Boy Is Mine od Brandy & Monica ter pesmi Girl od Destiny's Child.
Second hand looks at the trend of recycling existing music in the form of samples, remixes and covers - although sometimes these modifications are actually flagrant violations of copyright laws... Some artists use without acknowledging where they got it, so we decided to take a closer look. The result: a huge number of hits are credited to the wrong musician, while the people who really wrote it remain ignored. Listen to the original and the adaptation and familiarize yourself with what's going on in the music industry - you'll be surprised by how many of your idols have built their reputation on the shoulders of others.
Second hand looks at the trend of recycling existing music in the form of samples, remixes and covers - although sometimes these modifications are actually flagrant violations of copyright laws... Some artists use without acknowledging where they got it, so we decided to take a closer look. The result: a huge number of hits are credited to the wrong musician, while the people who really wrote it remain ignored. Listen to the original and the adaptation and familiarize yourself with what's going on in the music industry - you'll be surprised by how many of your idols have built their reputation on the shoulders of others.
Hello and welcome to Second hand on Radio SI. This year we are going to do things differently and look at the other side of sampling. In the past years we’ve exposed the background and samples of newer hits and evergreens. This year we will focus on songs that are most frequently sampled in the music industry. This week we have arrived at number 49 of our chart. Number 49 of the most often sampled songs is 'Blow your head' from Fred Wesley and the J.B.'s. This James Brown influenced funk creation offers an exceptional intro to the song, that many musicians, mostly hip hop artists of the 90's, used as sample for their own songs. The best known examples of samples of this part of the song are: Public Enemy in Public Enemy No.1 ,De La Soul in songs Sunshine and Oooh, Puff daddy in P.E.2000, Digable Planets in Rebirth Of Slick (Cool Like That), Bomb The Bass in Beat Dis and of course many others. ---------------------------------------------------------------------------------------------------- Pozdravljeni v oddaji Second hand. Letos se zgodbe lotevamo z druge strani zgodbe semplanja. V preteklih letih smo razkrinkali ozadja in semple novejših in zimzelenih hitov, letos pa se osredotočamo na pesmi, ki so najbolj semplane v glasbeni industriji. Ta teden smo pri številki 49 na naši lestvici. 49-ta najbolj semplana pesem je 'Blow your head' v izvedbi skupine Fred Wesley and the J.B.'s. Gre za funk stvaritev, pri kateri je prste imel tudi James Brown in ponuja izjemen intro katerega so radi semplali mnogi kasnejši, predvsem hip hip glasbeniki v devetdesetih. Najbolj znani primeri uporabe tega sempla so: Public Enemy v public enemy no.1, De la soul v pesmih Sunshine in Oooh, Puff daddy v P.E.2000, Digable planets v Rebirth of slick (cool like that), Bomb the bass v Beat dis in seveda še množica drugih.
This week we have arrived at number 50 of our chart. Number 50 of the most often sampled songs is the Bar Kays 'Holy Ghost'. This is an almost 9 minutes long funk creation, offering exceptional transitions, instrumentals and what is most important breaks that were an inspiration for many musicians and they were used as samples. The best known examples of samples of this part of the song are: Beastie boys - Hey ladies, M.A.R.R.S. - Pump up the volume, 2Pac Last wordz, Public enemy - Fear of the black planet and of course many others. ---------------------------------------------------------------------------------------------------- Ta teden smo pri številki 50 na naši lestvici. 50-ta najbolj semplana pesem je 'Holy ghost' Bar Kays-ov. Gre za skoraj 9 minutno funk stvaritev, ki ponuja izjemne prehode, instrumentale in najpomembneje break-e, iz katerih so inspiracijo in tudi semple črpali mnogi kasnejši glasbeniki. Najbolj znani primeri uporabe tega sempla so: Beastie boys - Hey ladies, M.A.R.R.S. - Pump up the volume, 2Pac Last wordz, Public enemy - Fear of the black planet in seveda še množica drugih.
We will start with number 51 of our music chart and end with number 1 for New Year's Eve. Number 51 of the most frequently sampled songs is 'When the levee breaks' by Rock and Roll legends Led Zeppelin. The best known examples of samples of this part of the song are: The Beasty Boys in their song "Rhymin' & Stealin'’, who have been the first to sample the drum track and were sued doing so, later they have used the part also in Wat Cha want and other songs; Eminem and other rappers have also used samples as well as Massive Attack in their song Man next door; Sophie B. Hawkins used the sample in her hit Damn I wish I was your lover; Enigma in Return to Innocence; Bjork in Army of me and of course many others Ta teden smo pri številki 51 na naši lestvici, končali pa bomo s številko 1 prav na novo leto. 51 najbolj semplana pesem je When the levee brakes, rock and roll legend Led Zeppelin. Najbolj znani primeri uporabe tega sempla so: Beastie Boys – Rhymin and stealin, ki so ga dejansko prvi odkrili in uporabili ter si s tem nakopali tožbo, kasneje pa ga uporabili še v Watcha want in drugih pesmih; med novejšimi Eminem in množica drugih repperjev ter Massive attack v Man next door; Sophie B Hawkins v svojem hitu Damn I wish I was your lover; Enigma v Return to innocence; Bjork v Army of me in seveda še množica drugih.
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