Predlogi
Ni najdenih zadetkov.
Rezultati iskanja
Rezultati iskanja
Rezultati iskanja
Rezultati iskanja
Rezultati iskanja
Rezultati iskanja
Rezultati iskanja
Rezultati iskanja
Ni najdenih zadetkov.
Rezultati iskanja
Rezultati iskanja
Rezultati iskanja
Rezultati iskanja
Dobrodošli v Second Hand.
Danes se bomo poklonili pomembni glasbeni osebnosti, ki je nedavno umrla.
Dolgoletni kitarist skupine Massive Attack Angelo Bruschini je umrl zaradi raka na pljučih.
Glasbenik je bil na turneji z legendami trip-hopa in odigral ključno vlogo pri njihovem slavnem albumu Mezzanine iz leta 1998. Uspešnice, kot so "Risingson", "Teardrop", "Angel" in "Inertia Creeps", prihajajo s tega albuma.
Bil je tudi član skupin The Numbers, Rimshots, The Blue Aeroplanes in produciral istoimenski album skupine Strangelove leta 1997 ter igral kitaro na singlu Jane Taylor "Blowing This Candle Out", vendar je najbolj znan po svojem delu v Trip Hop eksploziji v 1990-ih in 2000-ih ter njegovo delo z Massive Attack.
Massive Attack je potrdil Bruschinijevo smrt na družbenih omrežjih in zapisal: "RIP Angelo. Izjemno briljanten in ekscentričen talent. Nemogoče je količinsko opredeliti njegov prispevek k glasbi Massive Attack. Kako srečni smo bili, da smo delili tako življenje skupaj.”
Bruschini je igral tudi na LP-ju Massive Attack iz leta 2003 100th Window in albumu skupine iz leta 2004 za film Louisa Leteerrierja Unleashed. Po tem je Bruschini nadaljeval z igranjem v živo z Massive Attack, čeprav se ni več pojavil na njihovih studijskih posnetkih.
V intervjuju iz leta 1999 je Bruschini poudaril ključno kakovost, ki jo je njegovo igranje kitare prineslo inovativnemu zvoku Massive Attacka, ki je v veliki meri temeljil na semplih in drugih elektronskih elementih.
»Medtem ko smo delali album [Mezzanine], smo ves čas vtikali stvari v moje ojačevalce, samo da bi jim pokvarili zvok; ena težava z digitalno domeno je, da je preveč čista – celo bas. Lahko imate čisti vir zvokov, vendar jih želimo uničiti in najboljši način za to je uporaba analognih stvari, kot je kitaristova oprema.«
Uporaba semplov pri Massive Attack je očitna, uporabili so jih v več kot 80 primerih, vendar je zelo pomembno izpostaviti njihov vpliv na bodoče umetnike. Zaradi njihovega vpliva so bile njihove skladbe tudi semplane v skoraj enakem številu pesmi. Priredili so samo 9 pesmi, vendar so bile njihove pesmi prirejane 64-krat in remixane 54-krat.
384 epizod
Second hand looks at the trend of recycling existing music in the form of samples, remixes and covers - although sometimes these modifications are actually flagrant violations of copyright laws... Some artists use without acknowledging where they got it, so we decided to take a closer look. The result: a huge number of hits are credited to the wrong musician, while the people who really wrote it remain ignored. Listen to the original and the adaptation and familiarize yourself with what's going on in the music industry - you'll be surprised by how many of your idols have built their reputation on the shoulders of others.
Dobrodošli v Second Hand.
Danes se bomo poklonili pomembni glasbeni osebnosti, ki je nedavno umrla.
Dolgoletni kitarist skupine Massive Attack Angelo Bruschini je umrl zaradi raka na pljučih.
Glasbenik je bil na turneji z legendami trip-hopa in odigral ključno vlogo pri njihovem slavnem albumu Mezzanine iz leta 1998. Uspešnice, kot so "Risingson", "Teardrop", "Angel" in "Inertia Creeps", prihajajo s tega albuma.
Bil je tudi član skupin The Numbers, Rimshots, The Blue Aeroplanes in produciral istoimenski album skupine Strangelove leta 1997 ter igral kitaro na singlu Jane Taylor "Blowing This Candle Out", vendar je najbolj znan po svojem delu v Trip Hop eksploziji v 1990-ih in 2000-ih ter njegovo delo z Massive Attack.
Massive Attack je potrdil Bruschinijevo smrt na družbenih omrežjih in zapisal: "RIP Angelo. Izjemno briljanten in ekscentričen talent. Nemogoče je količinsko opredeliti njegov prispevek k glasbi Massive Attack. Kako srečni smo bili, da smo delili tako življenje skupaj.”
Bruschini je igral tudi na LP-ju Massive Attack iz leta 2003 100th Window in albumu skupine iz leta 2004 za film Louisa Leteerrierja Unleashed. Po tem je Bruschini nadaljeval z igranjem v živo z Massive Attack, čeprav se ni več pojavil na njihovih studijskih posnetkih.
V intervjuju iz leta 1999 je Bruschini poudaril ključno kakovost, ki jo je njegovo igranje kitare prineslo inovativnemu zvoku Massive Attacka, ki je v veliki meri temeljil na semplih in drugih elektronskih elementih.
»Medtem ko smo delali album [Mezzanine], smo ves čas vtikali stvari v moje ojačevalce, samo da bi jim pokvarili zvok; ena težava z digitalno domeno je, da je preveč čista – celo bas. Lahko imate čisti vir zvokov, vendar jih želimo uničiti in najboljši način za to je uporaba analognih stvari, kot je kitaristova oprema.«
Uporaba semplov pri Massive Attack je očitna, uporabili so jih v več kot 80 primerih, vendar je zelo pomembno izpostaviti njihov vpliv na bodoče umetnike. Zaradi njihovega vpliva so bile njihove skladbe tudi semplane v skoraj enakem številu pesmi. Priredili so samo 9 pesmi, vendar so bile njihove pesmi prirejane 64-krat in remixane 54-krat.
Second hand looks at the trend of recycling existing music in the form of samples, remixes and covers - although sometimes these modifications are actually flagrant violations of copyright laws... Some artists use without acknowledging where they got it, so we decided to take a closer look. The result: a huge number of hits are credited to the wrong musician, while the people who really wrote it remain ignored. Listen to the original and the adaptation and familiarize yourself with what's going on in the music industry - you'll be surprised by how many of your idols have built their reputation on the shoulders of others.
Hello and welcome to Second hand on Radio SI. This year we are going to do things differently and look at the other side of sampling. In the past years we’ve exposed the background and samples of newer hits and evergreens. This year we will focus on songs that are most frequently sampled in the music industry. This week we have arrived at number 49 of our chart. Number 49 of the most often sampled songs is 'Blow your head' from Fred Wesley and the J.B.'s. This James Brown influenced funk creation offers an exceptional intro to the song, that many musicians, mostly hip hop artists of the 90's, used as sample for their own songs. The best known examples of samples of this part of the song are: Public Enemy in Public Enemy No.1 ,De La Soul in songs Sunshine and Oooh, Puff daddy in P.E.2000, Digable Planets in Rebirth Of Slick (Cool Like That), Bomb The Bass in Beat Dis and of course many others. ---------------------------------------------------------------------------------------------------- Pozdravljeni v oddaji Second hand. Letos se zgodbe lotevamo z druge strani zgodbe semplanja. V preteklih letih smo razkrinkali ozadja in semple novejših in zimzelenih hitov, letos pa se osredotočamo na pesmi, ki so najbolj semplane v glasbeni industriji. Ta teden smo pri številki 49 na naši lestvici. 49-ta najbolj semplana pesem je 'Blow your head' v izvedbi skupine Fred Wesley and the J.B.'s. Gre za funk stvaritev, pri kateri je prste imel tudi James Brown in ponuja izjemen intro katerega so radi semplali mnogi kasnejši, predvsem hip hip glasbeniki v devetdesetih. Najbolj znani primeri uporabe tega sempla so: Public Enemy v public enemy no.1, De la soul v pesmih Sunshine in Oooh, Puff daddy v P.E.2000, Digable planets v Rebirth of slick (cool like that), Bomb the bass v Beat dis in seveda še množica drugih.
This week we have arrived at number 50 of our chart. Number 50 of the most often sampled songs is the Bar Kays 'Holy Ghost'. This is an almost 9 minutes long funk creation, offering exceptional transitions, instrumentals and what is most important breaks that were an inspiration for many musicians and they were used as samples. The best known examples of samples of this part of the song are: Beastie boys - Hey ladies, M.A.R.R.S. - Pump up the volume, 2Pac Last wordz, Public enemy - Fear of the black planet and of course many others. ---------------------------------------------------------------------------------------------------- Ta teden smo pri številki 50 na naši lestvici. 50-ta najbolj semplana pesem je 'Holy ghost' Bar Kays-ov. Gre za skoraj 9 minutno funk stvaritev, ki ponuja izjemne prehode, instrumentale in najpomembneje break-e, iz katerih so inspiracijo in tudi semple črpali mnogi kasnejši glasbeniki. Najbolj znani primeri uporabe tega sempla so: Beastie boys - Hey ladies, M.A.R.R.S. - Pump up the volume, 2Pac Last wordz, Public enemy - Fear of the black planet in seveda še množica drugih.
We will start with number 51 of our music chart and end with number 1 for New Year's Eve. Number 51 of the most frequently sampled songs is 'When the levee breaks' by Rock and Roll legends Led Zeppelin. The best known examples of samples of this part of the song are: The Beasty Boys in their song "Rhymin' & Stealin'’, who have been the first to sample the drum track and were sued doing so, later they have used the part also in Wat Cha want and other songs; Eminem and other rappers have also used samples as well as Massive Attack in their song Man next door; Sophie B. Hawkins used the sample in her hit Damn I wish I was your lover; Enigma in Return to Innocence; Bjork in Army of me and of course many others Ta teden smo pri številki 51 na naši lestvici, končali pa bomo s številko 1 prav na novo leto. 51 najbolj semplana pesem je When the levee brakes, rock and roll legend Led Zeppelin. Najbolj znani primeri uporabe tega sempla so: Beastie Boys – Rhymin and stealin, ki so ga dejansko prvi odkrili in uporabili ter si s tem nakopali tožbo, kasneje pa ga uporabili še v Watcha want in drugih pesmih; med novejšimi Eminem in množica drugih repperjev ter Massive attack v Man next door; Sophie B Hawkins v svojem hitu Damn I wish I was your lover; Enigma v Return to innocence; Bjork v Army of me in seveda še množica drugih.
Neveljaven email naslov